Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ishiguro K., Klara and the sun — 2021

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behavior of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Èñèãóðî Ê., Ïîãðåáåííûé âåëèêàí — 2017 (Pocket book)

"Ïîãðåáåííûé âåëèêàí" - ðîìàí íåîáû÷íûé, çàâîðàæèâàþùèé. Àâòîð ïåðåíîñèò íàñ â ñðåäíåâåêîâóþ Àíãëèþ, êîãäà áðèòòû âîåâàëè ñ ñàêñàìè, à çåìëþ îêóòûâàëà õìàðü, çàñòàâëÿþùàÿ çàáûâàòü òîëüêî ÷òî ïðîæèòûé ÷àñ òàê æå áûñòðî, êàê óòðî, ïðîæèòîå ìíîãî ëåò íàçàä. Ïîæèëàÿ ïàðà, Àêñåëü è Áåàòðèñà, ïîêèäàþò ñâîþ äåðåâóøêó è îòïðàâëÿþòñÿ â ïîëíîå îïàñíîñòåé ïóòåøåñòâèå - îíè õîòÿò íàéòè ñûíà, êîòîðîãî íå âèäåëè óæå ìíîãî ëåò. Èñèãóðî ðàññêàçûâàåò èñòîðèþ î ïàìÿòè è çàáâåíèè, î ìåñòè è âîéíå, î ëþáâè è ïðîùåíèè. Íî ãëàâíîå - î ëþäÿõ, î òîì, êàê âñå ìû ïî áîëüøîìó ñ÷åòó îäèíîêè

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Èñèãóðî Ê., Ïîãðåáåííûé âåëèêàí — 2017 (Êóëüòîâàÿ êëàññèêà)

"Ïîãðåáåííûé âåëèêàí" - ðîìàí íåîáû÷íûé, çàâîðàæèâàþùèé. Àâòîð ïåðåíîñèò íàñ â ñðåäíåâåêîâóþ Àíãëèþ, êîãäà áðèòòû âîåâàëè ñ ñàêñàìè, à çåìëþ îêóòûâàëà õìàðü, çàñòàâëÿþùàÿ çàáûâàòü òîëüêî ÷òî ïðîæèòûé ÷àñ òàê æå áûñòðî, êàê óòðî, ïðîæèòîå ìíîãî ëåò íàçàä. Ïîæèëàÿ ïàðà, Àêñåëü è Áåàòðèñà, ïîêèäàþò ñâîþ äåðåâóøêó è îòïðàâëÿþòñÿ â ïîëíîå îïàñíîñòåé ïóòåøåñòâèå - îíè õîòÿò íàéòè ñûíà, êîòîðîãî íå âèäåëè óæå ìíîãî ëåò. Èñèãóðî ðàññêàçûâàåò èñòîðèþ î ïàìÿòè è çàáâåíèè, î ìåñòè è âîéíå, î ëþáâè è ïðîùåíèè. Íî ãëàâíîå - î ëþäÿõ, î òîì, êàê âñå ìû ïî áîëüøîìó ñ÷åòó îäèíîêè

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Èñèãóðî Ê., Ïîãðåáåííûé âåëèêàí — 2016 (Èíòåëëåêòóàëüíûé áåñòñåëëåð. ×èòàåò âåñü ìèð)

"Ïîãðåáåííûé âåëèêàí" - ðîìàí íåîáû÷íûé, çàâîðàæèâàþùèé. Àâòîð ïåðåíîñèò íàñ â ñðåäíåâåêîâóþ Àíãëèþ, êîãäà áðèòòû âîåâàëè ñ ñàêñàìè, à çåìëþ îêóòûâàëà õìàðü, çàñòàâëÿþùàÿ çàáûâàòü òîëüêî ÷òî ïðîæèòûé ÷àñ òàê æå áûñòðî, êàê óòðî, ïðîæèòîå ìíîãî ëåò íàçàä. Ïîæèëàÿ ïàðà, Àêñåëü è Áåàòðèñà, ïîêèäàþò ñâîþ äåðåâóøêó è îòïðàâëÿþòñÿ â ïîëíîå îïàñíîñòåé ïóòåøåñòâèå - îíè õîòÿò íàéòè ñûíà, êîòîðîãî íå âèäåëè óæå ìíîãî ëåò. Èñèãóðî ðàññêàçûâàåò èñòîðèþ î ïàìÿòè è çàáâåíèè, î ìåñòè è âîéíå, î ëþáâè è ïðîùåíèè. Íî ãëàâíîå - î ëþäÿõ, î òîì, êàê âñå ìû ïî áîëüøîìó ñ÷åòó îäèíîêè

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ishiguro K., Come Rain or Come Shine — 2009

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. When Ray turns up to visit his old university friends Charlie and Emily, he's given a special task: to be so much his useless self that he makes Charlie look good by comparison. But Ray has his own buried feelings to contend with. Decades earlier, he and Emily would listen to jazz when they were alone, and now, as Sarah Vaughan sings through the speakers, he struggles to control everything the sound brings with it. In Kazuo Ishiguro's hands, a snapshot of domestic realism becomes a miniature masterpiece of memory and forgetting. Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ishiguro K., The Remains of the Day — 2005

A contemporary classic, "The Remains of the Day", is Kazuo Ishiguros beautiful and haunting evocation of life between the wars in a Great English House.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ishiguro K., Never Let Me Go. a novel — 2005

My name is Kathy H. I'm thirty-one years old, and I've been a carer now for over eleven years. That sounds long enough, I know, but actually they want me to go on for another eight months, until the end of this year. That'll make it almost exactly twelve years. Now I know my being a carer so long isn't necessarily because they think I'm fantastic at what I do. There are some really good carers who've been told to stop after just two or three years. And I can think of one carer at least who went on for all of fourteen years despite being a complete waste of space. So I'm not trying to boast. But then I do know for a fact they've been pleased with my work, and by and large, I have too

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Modern British Short Stories — 2011

The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all'. The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ishiguro K., The Remains of The Day — 1999

Penguin Readers are written by specialist ELT authors. The language, vocabulary, style and content of every book is carefully graded to make sure it suits the learner's own language ability. Every Penguin Reader has a range of activities in the book and accompanying Factsheet to help increase comprehension and develop reading, writing, listening and speaking skills.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ